This circular explains the difference, for copyright purposes, between Musical Compositions and Sound Recordings.
A Musical Composition consists of music, including any accompanying words, and is normally registered in Class PA. The author of a musical composition is generally the composer, and the lyricist, if any. A musical composition may be in the form of a notated copy (for example, sheet music) or in the form of a phonorecord (for example, cassette tape, LP, or CD). Sending a musical composition in the form of a phonorecord does not necessarily mean that there is a claim to copyright in the sound recording.
A Sound Recording results from the fixation of a series of musical, spoken, or other sounds and is always registered in Class SR. The author of a sound recording is the performer(s) whose performance is fixed, or the record producer who processes the sounds and fixes them in the final recording, or both.
Copyright in a sound recording is not the same as, or a substitute for, copyright in the underlying musical composition.
REGISTRATION OF A MUSICAL COMPOSITION AND A SOUND RECORDING WITH
A SINGLE APPLICATION
Although they are separate works, a musical composition and a sound recording may be registered together on a single application if ownership of the copyrights in both is exactly the same. To register a single claim in both works, complete Form SR. Give information about the author(s) of both the musical composition and the sound recording.
NOTE: Phonorecords (tapes, cassette tapes, cartridges, disks) are not sound recordings.
Phonorecords are physical objects in which various kinds of works can be fixed_the works themselves may be musical compositions, literary works, dramatic works, or sound recordings.
REGISTRATION PROCEDURES
To register your work, send the following material in the same envelope or package to the Register of Copyrights, Copyright Office, Library of Congress, Washington, D.C. 20559:
1. A properly completed application form;
2. A nonreturnable, clearly labeled deposit(s) of the work to be registered; and
3. A nonrefundable filing fee of $20 for each application.
EFFECTIVE DATE OF REGISTRATION
Please note that a copyright registration is effective on the date
of receipt in the Copyright Office of all the required elements in
acceptable form, regardless of the length of time it takes
thereafter to process the application and mail the certificate of
registration. The length of time required by the Copyright Office
to process an application varies depending on the number of claims
received and the personnel available.
If you are filing an application for copyright registration in the
Copyright Office, you will not receive an acknowledgement that
your application has been received (the Office receives more than
650,000 applications annually), but you can expect:
-- A letter or telephone call from a copyright examiner if further information is needed;
-- A certificate of registration to indicate the work has been registered, or if the application cannot be accepted, a letter explaining why registration has been refused.
You may not receive either of these until 120 days have passed.
If you want to know when the Copyright Office receives your
material, you should mail it registered or certified and request
a return receipt.
FOR MORE INFORMATION
For more information, write or call the Copyright Office and
request: Circular 50, "Copyright Registration for Musical
Compositions," which includes information on Form PA and/or
Circular 56, "Copyright for Sound Recordings," which includes
information on Form SR.
Additional questions about copyright problems involving musical
compositions or sound recordings may be addressed to the Copyright
Office, LM 455, Library of Congress, Washington, D.C. 20559. To
speak with a Copyright Information Specialist, call (202) 707-
3000.
FORMS AND CIRCULARS HOTLINE
NOTE: Requesters may order application forms and circulars at any
time by telephoning (202) 707-9100. Orders will be recorded
automatically and filled as quickly as possible.
***Last update 6/14/93 (raa)***
Comments: RobtKohn@aol.com
Copyright © 1995, 1996 Bob Kohn (except portions authored by U.S. government)
A Theoria Publication
(1/15/96)